** this review is free of spoilers **
This Australian thriller begins with text that tells us that the populations of both humans and saltwater crocodiles are increasing in northern Australia. We're also told the movie is based on a true story, which is fine, but it also works fine as a revenge-of-nature film.
This theme with a long history in Australia, going back at least to 1978's Long Weekend. The revenge-of-nature subgenre could be seen as anti-Tarzan movies, and Black Water especially so, with characters clinging to tree limbs that are never more than a few meters above the still, opaque waters.
It's set almost entirely in a saltwater swamp, an alien environment for almost everyone on the planet. This is stunning use of hi-def photography: watching this film, you feel like you're there, which in this case is vastly preferable to being there.
This Australian thriller begins with text that tells us that the populations of both humans and saltwater crocodiles are increasing in northern Australia. We're also told the movie is based on a true story, which is fine, but it also works fine as a revenge-of-nature film.
This theme with a long history in Australia, going back at least to 1978's Long Weekend. The revenge-of-nature subgenre could be seen as anti-Tarzan movies, and Black Water especially so, with characters clinging to tree limbs that are never more than a few meters above the still, opaque waters.
It's set almost entirely in a saltwater swamp, an alien environment for almost everyone on the planet. This is stunning use of hi-def photography: watching this film, you feel like you're there, which in this case is vastly preferable to being there.
There's good acting here (though if you're not Australian, mate, you might be tempted to use the English subtitles), but this is not a character study: it's a nail-biting thriller about a group of people who suddenly, unexpectedly find themselves fighting for life. It reminded me of two films: Jaws, and The Wages of Fear. That's high praise, and I do think Black Water deserves more attention than it's gotten. Even with the Ozy accents, if Hollywood still remembered how to market its product this film could've had a decent run in U.S. theatres.
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